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• #STEINWEISS SCRAWL FULL#

Šie slapukai yra naudojami trečiųjų šalių, kad būtų galima pateikti reklamą, atitinkančią jūsų poreikius. Surinkta informacija yra visiškai anonimiška ir tiesiogiai jūsų neidentifikuoja. Tam mes naudojamės „Google Analytics“ statistikos sistema.

Jie padeda mums atskirti, kurie puslapiai yra populiariausi, ir matyti, kaip vartotojai naudojasi svetaine. Šie slapukai leidžia apskaičiuoti, kaip dažnai lankomasi svetainėje, ir nustatyti duomenų srauto šaltinius – tik turėdami tokią informaciją galėsime patobulinti svetainės veikimą. Šie slapukai nesaugo jokių duomenų, pagal kuriuos būtų galima jus asmeniškai atpažinti, ir yra ištrinami išėjus iš svetainės. Šie slapukai yra būtini, kad veiktų svetainė, ir negali būti išjungti. This text includes an original essay from renowned design historian and Steinweiss expert Steven Heller, Alex Steinweiss' personal recollections from his years in the business, detailed captions, and extensive bibliographic information.Īlso featured in this in-depth retrospective are hundreds of sketches, mock-ups, and comps from Steinweiss' personal archive, most of which have never been published before. Navy during World War II, print ads for ladies' footwear, packing and label design for liquor companies, and film title sequences as well as his personal fine art which included paintings, drawings, and ceramics.

Less well known, but also highly influential, was his work outside of the record industry: posters for the U.S. He defined the golden age of album cover design and influenced generations of album designers to follow. For three decades, Steinweiss created thousands of original artworks for jazz, classical, and popular record covers not only for Columbia, Decca, London, and others, as well as designing logos, labels, adverting material, even his own typeface named the Steinweiss Scrawl. records - with abstract and sophisticated illustrations, and novel typography influenced by European poster artists of the 1930s like Joseph Binder - sales increased by as much as 800 per cent and the album cover as we know it was born.Ī decade later, he invented the paperboard jacket to contain the new 33-1/3 inch long-playing record, the LP, which remains the industry standard to this day. Within months of Steinweiss' repackage of their line of 78-r.p.m. In 1939, Columbia Records' newly hired art director, then 23-year-old Alex Steinweiss, pitched a novel idea to management: why not replace the standard plain brown album wrapper with an eye-catching package? The fledgling record company initially balked at the expense, but decided to take a chance on Smash Song Hits by Rodgers & Hart, performed by the Imperial Orchestra, a risk that paid off. Limited to 100 individually numbered copies, each signed by Alex Steinweiss in his trademark 'Steinweiss Scrawl', printed on archival-quality paper and packaged in a custom slipcase, this Art Edition comes with an original signed artwork.

#STEINWEISS SCRAWL FULL#

This collector's edition contains the full range of his output including hundreds of previously unpublished sketches, mock-ups, and comps from his personal archive.

This title discusses about music for the eyes the man who revolutionized record packaging and, the golden age of album cover design: the first ever in-depth retrospective of the work of Alex Steinweiss, inventor of the record album cover.